ŠTO TE NEMA 2022 HIGHLIGHTS

ŠTO TE NEMA 2022 HIGHLIGHTS

ŠTO TE NEMA: Between the Archive and the Living Monument took place in Sarajevo on August 10, 2022 as part of the Spatium Memoriae [ŠTO TE NEMA] exhibition at the Historical Museum of Bosnia and Herzegovina.

Artist Aida Šehović, art historian Dr. Irfan Hošić, and curator Dr. Claudia Zini [with additional contributions by Dr. Kerry Whigham and Dr. Mišo Kapetanović] participated in a conversation organized by ŠTO TE NEMA, Inc. and Kuma International. 

Spatium Memoriae [ŠTO TE NEMA] exhibition was organized by The Historical Museum of Bosnia and Herzegovina and ŠTO TE NEMA, Inc. in partnership with The Srebrenica Memorial Center with the support of Authority Partners, Ideologija, Leda, Unitgroup, Girls Guide and the US Embassy.**

Aida Šehović is a Bosnian born American artist & educator who lives & works between New York & Sarajevo. She is the creator of ŠTO TE NEMA & is one of the founding board members of the org. formed in the U.S. She earned her BA from the Univ. of Vermont & her MFA from Hunter College as a Javits Fellow. Šehović is the recipient of the ArtsLink Award, the Socrates Sculpture Park Fellowship, Foundation for Contemporary Arts Grant & the Fellowship for Utopian Practice. She was an artist-in-residence at the Grand Central Art Center, Lower Manhattan Cultural Council, Santa Fe Art Institute, & the Vermont Studio Center. Her work was exhibited at the Canadian Museum for Human Rights, Laumeier Sculpture Park, Queens Museum, & 58th Venice Biennale. Her projects were supported by the Rockefeller Brothers Fund, the Open Society, & the Vilcek Foundation. // Irfan Hošić holds a PhD from the Dept of Art History, Faculty of Philosophy, Univ. of Zagreb. His field of research is Bosnian art of the 20th & 21st century. He won the BIRN Journalism Award, the Patterns Lectures Award from the Erste Stiftung & the WUS Austria. Hošić was the curator of the Pavilion of Bosnia & Herzegovina at the 55th Venice Biennale. He was a lecturer at the Univ. of Michigan & Florida Gulf Coast Univ. He won the Basileus Scholarship for postdoctoral research at the Univ. of Ghent, the Weiser scholarships for a research project at the Univ. of Michigan, & Green Tech scholarships for research at the Univ. of Paderborn. He was a Fulbright Visiting Scholar at Wayne State Univ. in 2019/2020. Hošić currently holds a position of Assoc. Professor at the Univ. of Bihać. // Claudia Zini is an art historian and curator focusing her professional interests on visual arts dealing with the aftermath of war and violence. She is also the founder and director of Kuma International, a center dedicated to visual arts from post-conflict societies based in Sarajevo. She holds a PhD degree from the Courtauld Institute of Art, University of London (2020). In 2019 she was one of the curators of the Pavilion of Bosnia and Herzegovina at the Venice Biennale. She is the co-editor of the book “Sarajevo Unfolding” (Buybook 2020) and “Unsafe Goražde” (Kuma international, 2022). In 2022 she produced the documentary film “Unsafe Goražde”. She lives and works in Sarajevo.

** Spatium Memoriae [ŠTO TE NEMA] exhibition was funded in part by a grant from the United States Department of State. The opinions, findings and conclusions stated herein are those of the author[s] and do not necessarily reflect those of the United States Department of State.

EXHIBITIONS | Winnipeg | Sarajevo | Dresden

One of our biggest accomplishments in 2022 was exhibiting the monument’s archive in three countries! Spatium Memoriae [ŠTO TE NEMA] consists of more than 8,372 collected fildžani and 15 posters for each of the annual iterations of the public art project. Included in the ARTIVISM exhibition organized by The Auschwitz Institute for the Prevention of Genocide and Mass Atrocities, this work was on view at The Canadian Museum of Human Rights in Winnipeg until March 26, 2022.

Spatium Memoriae [ŠTO TE NEMA] traveled back to Bosnia for an exhibition we organized in collaboration with the Historical Museum of Bosnia and Herzegovina and the Srebrenica Memorial Center. In addition to opening and closing events, our public program included an interactive performance “Reflection and Memory” and a public discussion “Between the Archive and the Living Monument” with Claudia Zini, Irfan Hošić and Aida Šehović, with additional contributions by Dr. Kerry Whigham and Dr. Mišo Kapetanović. More than 3,000 people visited the exhibition and joined our public programs from July 8 to September 4 in Sarajevo, all made possible by generous contributions from Authority Partners, Girls Guide, Leda Voda, and a US Embassy Cultural Grant.

Afterwards, Spatium Memoriae [ŠTO TE NEMA] traveled to Germany for NORTHEAST SOUTHWEST organized by Kunsthaus Dresden and their partners. This expansive project brought together artists and cultural institutions from Bosnia and Herzegovina, Germany, Lebanon, and Poland for exhibitions, performances and public events from September 23 to November 13. In addition to attending the opening, Aida participated in “Lines of Flight” public conversations on October 15.

EDUCATION | Sarajevo | Srebrenica | St. Louis

ŠTO TE NEMA Monument Lab

This summer, we conducted our first ŠTO TE NEMA Monument Lab in partnership with Kuma International in Sarajevo during their annual summer school. The 3-day lab included a visit to the Srebrenica Memorial Center and workshops on the intersection between art, memory, and activism in post-genocide societies.

In the fall, we had our second ŠTO TE NEMA Monument Lab during Aida’s artist residency as part of the Memory for the Future Lab at Washington University in St. Louis. We look forward to organizing more workshops in the coming year to continue engaging young artists and researchers in our work on remembrance, healing and memorialization in innovative and participatory ways.

Throughout the year, we were glad to share our work and discuss ŠTO TE NEMA with academic and non-academic audiences. The discussion at Fractured Heart of Europe at the University of Antwerp and at Geographies of Belonging: Art, Politics and Communality initiated by the Van Abbemuseum in Eindhoven and conceived in collaboration with artist Lana Čmajčanin, art theorist Jelena Petrović and KRAK Center for Contemporary Culture offer two examples.